Show, don't tell: what it means, with before and after examples
You have heard the advice a hundred times. Here is what it looks like in practice, and when you should ignore it.
The QuillBees team
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·3 min read
"Show, don't tell" is the most repeated advice in writing, and also one of the most misunderstood. It does not mean you must never state anything plainly. It means that sometimes a scene works better than a summary.
Telling
Telling gives the reader a conclusion.
Meera was nervous about the interview.
It is clear, and it is quick. But the reader has to take your word for it.
Showing
Showing gives the reader evidence and lets them reach the conclusion.
Meera read the same line of her notes four times. Her tea had gone cold on the table, and she had not noticed. When the phone rang, she let it ring twice before she picked it up.
Now the reader sees the nerves. They may even feel them.
More examples
Telling: The village was poor. Showing: The school had one blackboard, and the children took turns to sit on the only bench.
Telling: He was a generous man. Showing: He always ordered too much at the tea stall, and somehow the rickshaw drivers ended up with the extra.
Telling: She hated her job. Showing: She watched the clock on the wall as if it owed her money.
When telling is better
You do not need to dramatise everything. Use telling when:
- You need to move quickly past something unimportant. "They drove to Jaipur the next morning" is better than a page of road.
- The detail does not matter to the story.
- You are summarising time or background.
If you showed every moment, the book would be unbearably long. Save the showing for the scenes that matter.
How to turn telling into showing
- Find the sentence that names an emotion or a quality: angry, kind, poor, tired.
- Ask what that would look like from outside. What would someone see, hear or notice?
- Pick one or two specific details, not ten.
- Place them in the scene, in a way that feels natural.
A caution
Over-showing can feel forced. If a character clenches their jaw, balls their fists and grits their teeth all in one paragraph, it reads like a stage direction. One good detail is stronger than five average ones.
In non-fiction
The same applies. Instead of saying "this problem is serious," give an example that shows how serious. A single real story often does more than a page of statistics.
Look through your latest draft for words like "very", "extremely" and "really". Those are often telling in disguise.
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